Yesteryear Eurasian playwrights undoubtedly didn't expect the exposure of their artistic curriculum to newly integrated grade schools. The intellectual and affluent African cultural influences were all but deleted from American history, as were Black American historical achievements and advancement.
Today's American standards are understandably tainted in some regards but also fundamentally enriched with cultural diversity. Religious freedoms are incomprehensible and fastly approaching allegiance to the Antichrist. Freedom of speech and freedom to legally hate has gained an impressive following.
"And to the republic for which stand it stands...," gives nostalgic credence to a symbol. "One nation under God...," are as moot as a unrepented sinner's prayer for permission to continue damnable deeds.
The "show tunes," of Broadway shows which brought artistic expressions of foreign fanfare have slowly become pathetic minstrels depicting black-faced shameful melodies. What cultural diversity implemented at its fruition to bring wholeness to humanity, has evolved into a gray matter of afterthoughts. Songs of freedom are now reserved for the wicked and vile lyrical attacks of a godless society.
Will there be one bold enough to TURN UP God's holiness and instructions? Will we run to the mountain top of righteousness, forsaking the consent or favoritism of family and friends? Will there be "a one," who fill stand therefore UNMOVABLE, ALWAYS ABOUNDING IN THE WORK OF THE LORD?
TURN DOWN the world's foolishness and strife. It's just sinful rhetoric full of clanging symbols!
AWESOME!
ReplyDelete